Modulation & Random yace / cv decay envelope / 6 HP ⇣ YACE is a fully featured decay envelope with voltage controlled decay length. It offers the best you can expect from a simple decay module and is a great companion for controlling other VCAs, filters or sound-changing oscillator controls. 1/3 key features Decay Envelope CV Control CV Input Attenuator Level Control Response Knob and Range Switch Cycle Function Gate Mode specs & downloads width: 6 HP depth: 28 mm power: 81 mA @ +12V / 36 mA @ -12V documentation videos description / manual A trigger or gate signal at the GATE socket (INP in the picture) starts the decay envelope and a corresponding CV is output at the OUT socket. An inverted version is available at the INV socket. With the DECAY slider you can change the decay time manually or by CV. With a CV attenuator you can control the level of the length change by CV. The DEC LVL potentiometer controls the level of the decay and is great for controlling filters. A jumper on the rear panel lets you choose whether the DEC LVL potentiometer affects only the regular decay output or also the inverted output. With the RESPONSE control you can change the response curve from very snappy to rather long and soft. The RANGE switch offers three decay length ranges, from fast decay for drums to very long decay curves for slowly evolving sounds. The INP switch changes the input mode from trigger to pulse. Pulse mode adds a sustain stage to the envelope that holds the envelope as long as the incoming pulse is high. The CYC switch activates a cyclic mode where the decay restarts when it reaches its end. In addition, an EOC (End Of Cycle) pulse is output at the EOC socket. With the INFLUENCE input (marked by a curved arrow pointing upwards) you can further change the decay level. Connect an LFO or triggers here to create attacked and more organic decay envelopes. It only responds to voltages above 5V. prev Up next

STEREO SUM represents a modular Eurorack stereo mixer offering a variable number of stereo or mono channels. These channels are interconnected through flying bus cables and standard ribbon cables at the rear, allowing expansion from a minimum of two channels to suit your requirements and available HP. STEREO SUM is a true performance mixer aiming to be used in live situations. stereo sum / customizable eurorack stereo mixer / 8 + 4 + N HP ⇣ STEREO SUM represents a modular Eurorack stereo mixer offering a variable number of stereo or mono channels. These channels are interconnected through flying bus cables and standard ribbon cables at the rear, allowing expansion from a minimum of two channels to suit your requirements and available HP. STEREO SUM is a true performance mixer aiming to be used in live situations. key features Stereo Mixer Customizable Amount of Stereo & Mono Channels EQ per Channel Two Send/Returns AFL Mode to Audit Sounds Mute Switch per Channel +20dB Gain per Channel Stereo Input to Integrate other Mixers Stereo Line Output Mix to Headphone Knob for Sound Comparison Skiff Friendly Wrong Polarity Protection specs & downloads width: min. 12 HP depth: 30 mm power: min. 47 mA @ +12V / 33 mA @ -12V documents videos layout suggestions description / manual STEREO SUM is a stereo mixer with a customizable amount of stereo or mono channels. Tailor your setup by selecting the desired quantity of SUM CHANNELS or MONO CHANNELS to integrate with the SUM MAIN module. Each STEREO or MONO CHANNEL has a mute switch, a one knob EQ, Pan, a Send knob that can be routed to two different destinations, a Level pot and an AFL (after fade listening) functionality, which allows you to audit your sounds on the headphones before you add them to the mix (pre Pan though). Fully counter-clockwise the channel is only routed to the headphones (AFL), turning it clockwise it will be smoothly subtracted from the headphone out and added to the main mix (Mix). The SUM MAIN module has all output, send and return jacks, a master volume knob and a 6.3mm stereo headphone jack with a dedicated volume potentiomter. The Mix to AFL knob routes the main mix output to the headphone out in order to compare the channels that are in AFL mode with the main mix. This can be deactivated with a switch to only audit channels that are currently not send to the main output (AFL mode). Additionally there is a stereo input to integrade other mixers, like PHOEBE, SUM or uSUM for example. All stereo inputs can also handle mono signals. If you want to save HP it might be a good decision to add some MONO CHANNELs to your STEREO SUM. The send channels can be set to be active either pre or post AFL per channel via a solder bridge. ‚Pre‘ means you can still hear the send/return way when it is in AFL mode (thus the channels signal is actually not audible in the main mix), ‚post‘ means send/return will only work when the channels signal is routed to the main mix. Each channel has two separate GAIN trimmer potentiometers adjustable from the front. For enhanced EQ control of your mix, consider integrating the STEREO EQ . Additionally, you can enhance each channel or the main output with the STEREO COMPRESSOR . TO ENSURE THE MIXER'S FUNCTIONALITY, IT'S CRUCIAL TO HAVE AT LEAST ONE STEREO OR MONO CHANNEL, IN ADDITION TO YOUR MAIN MODULE. Up

Utilities & PSU toolbox / multi-function unit / 6 HP & 22 HP ⇣ TOOLBOX is your HP-friendly Swiss Army knife, incorporating the most essential functions for your modular system. 1/6 key features 8 Functions in 1 Module Combine Functions via Normalization of Inputs Table Top Case friendly Wrong polarity protection specs & downloads width: 6 HP & 22 HP depth: 25 mm power: 42 mA @ +12V / 38 mA @ -12V documentation videos description / manual Fader 2-Channel Mixer Swap (exchange the destination of one or two sources via switch) On/Off Switch Attenuverter (unipolar/bipolar via switch) 1 to 3 Buffered Multiple Inverter Volume Control ...and any combination of these as the Fade inputs are normalized to Swap and the 1 to 3 Attenuverter/Multiple/Inverter. You can use it for audio as well as for CV signals. Pots and Switch are located on the bottom side for for easy use in table top cases. This module is availbable in 3U and 1U! prev Up next

Oscillator honeyeater / cem3340 analog vco with sub-oscillator / 8 HP ⇣ HONEYEATER is a classic analog VCO with two sub-oscillators and mixable waveforms. It uses the famous CEM3340 „Curtis Oscillator“ precision VCO chip, that is also being used in fabled synths like the Sequential Pro-1 and OB-xa. This module is your best companion for rich sounding analog synth sounds in a low HP format and is one of our most built modules. HONEY_BACK.jpg 1/3 key features 2 Voice FM Synthesizer plus Noise Generator CV over all FM Parameters Tone Control Internal VCA Internal Mixer Individual Outputs Wrong Polarity Protection specs & downloads width: 16 HP depth: 28 mm power: 98 mA @ +12V / 56 mA @ -12V documentation videos description / manual The Coarse and Fine Tune potentiometer are located on the lower part of the module in form of small trimmer potentiometers. Having set these in tune, you won´t have to tweak those too often. On the top part you will find easy to reach waveform mixing potentiometers. Taking the output from the Out jack you can create your waveform from the sources Triangle and Sawtooth (alternatively via switch), Pulse and Noise. Additionally there are two Sub-octaves available that can be added to the output signal by using the Sub potentiometer. Sub-octaves may be activated using the dedicated switches. Of course HONEYEATER also includes classic VCO features like Pulse Width Modulation (manually and via CV), Frequency Modulation (exponential or linear alternatively via switch) and Hard or Soft Sync (changeable via jumper on the back). prev Up next

Mixer & VCA cuerly / 3-channel stereo mixer with cue / 6 HP ⇣ Cuerly is a compact 3-channel stereo mixer with cue functionality, allowing you to pre-listen to signals before sending them to the main mix. It’s the perfect mixer for live performances in a small Eurorack setup. 1/4 key features 3 Stereo-Channels Level Control per Channel Cue Buttons for Pre-Listening Heaphone Output Headphone Level Control Mix to Headphone Control Max. Gain +20dB Wrong polarity protection specs & downloads width: 6 HP depth: 40 mm power: 43 mA @ +12V / 35 mA @ -12V documentation videos description / manual Cuerly features three stereo channels, each with independent level control. You can connect a stereo signal to any of the three inputs: IN1, IN2, or IN3. The level of each channel is adjusted using the corresponding VOL1, VOL2, and VOL3 knobs. Mono signals can also be processed by patching a cable into the left input, which will automatically normalize the signal to the right channel. The final mix is sent to stereo headphones via the TRS PHONES output. You can control the headphone volume using the VOL HP potentiometer. To preview a signal, simply press the corresponding cue button. The cued signal is removed from the main mix and routed exclusively to the headphone output. The VOL1, VOL2, and VOL3 knobs continue to function as level controls, even when the signal is cued through the headphones. The LEDs serve as level indicators for the cued signal only. For direct comparison, turn the MIX TO HP knob to the right. This routes the main mix to the headphones along with the cued signal, allowing you to compose and patch new sounds while still monitoring the main output - without needing to remove your headphones. You can cue any combination of the three channels. If all three cue buttons are active, no audio will be sent to the main output, and the signal will be routed only to the headphones. Additionally, the cue buttons can function as mute controls for the main mix. Cuerly offers a maximum gain of +20dB, with independent gain adjustment for each of the six inputs. Gain levels can be fine-tuned using the trimmer potentiometers located on the back of the module. Cuerly is designed specifically for live performances, where sounds are improvised and created on the fly. Its compact size makes it the ideal addition to your small performance case. CUERLY QUICK START GUIDE: CUERLY_QUICK_START_GUIDE .pdf Download PDF • 1.82MB prev Up next

Modulation & Random catch / sample & hold / 6 HP ⇣ Catch is a modular swiss army knife combining a great variety of useful functions in 6 HP modular width. 1/3 key features Stepped Random Generator Sample and Hold CV Clock Generator Attenuverter Offset Noise Source LED indication Skiff friendly Wrong polarity protection specs & downloads width: 6 HP depth: 28 mm power: 38 mA @ +12V / 27 mA @ -12V documentation videos description / manual Catch serves as a modular multitool, integrating a diverse range of valuable functions: Stepped Random Generator Sample and Hold CV Clock Generator Attenuverter Offset Noise Source On top of the module you will find the clock generator with its speed potentiometer. Turning CW will increase the speed of the clocks generated. The speed range can be altered with the ON-OFF-ON switch and CV controlled via the CV jack. The clock signal is forwarded to the CLOCK OUT and to the internal Stepped Random Generator and Sample and Hold circuit. If nothing is patched into the TRIG IN jack, the clock triggers the Stepped Random Generator and provides a random voltage on the C/OUT jack. This connection will be cut in case of an external trigger signal being patched to TRIG. In case of a voltage being patched to IN, this source will be sampled and caught on trig on the C/OUT jack. Either the external or the internal voltage signal can be offset and attenuverted and will be supplied on the A/OUT jack, The left bicolor LED indicates the current voltage being adjusted by the offset and attenuverter and the right bicolor LED shows the random voltage being caught on internal or external trigger. If you patch OUT into your audio path, you will hear very warm white noise. prev Up next

CV Bench is a small and handy version of Mutable Instruments´ CV PAL, a USB MIDI to CV Interface. It enables you to control your modular from a computer or a tablet. Simply connect CV Bench with a Micro USB cable to your USB host device and you are ready to send Gates and CV to your modules. No further driver installation is required, you can directly select CV PAL as your midi port in your DAW´s midi settings. cv bench / usb midi to cv interface / 0 HP ⇣ CV Bench is a small and handy version of Mutable Instruments´ CV PAL, a USB MIDI to CV Interface. It enables you to control your modular from a computer or a tablet. Simply connect CV Bench with a Micro USB cable to your USB host device and you are ready to send Gates and CV to your modules. No further driver installation is required, you can directly select CV PAL as your midi port in your DAW´s midi settings. Unlike to the original, this version has shrunk to a tiny desktop tool that can sit directly in front of your modular. You don´t have to give up any of your precious HP. It also features two GATE LEDs that indicate when a gate signal is present at the gate jacks. CV BENCH is powered by the USB cable. key features USB MIDI to CV Interface 2 Channels Over 10 Midi Modes Gate LED Indication documents Plug & Play USB Powered 0HP Desktop-Tool description / manual The interface has two channels that can be used in various different ways depending on the MIDI channel applied. The most popular modes are: Channel 1: Monophonic mode OUT 1: Note CV OUT 2: Velocity CV GATE 1: Gate GATE 2: Gate Channel 3 / Channel 4: Dual monophonic mode OUT 1: Note CV for channel 3 OUT 2: Note CV for channel 4 GATE 1: Gate for channel 3 GATE 2: Gate for channel 4 Channel 5: Duophonic mode OUT 1: Note CV output 1 OUT 2: Note CV output 2 GATE 1: Gate GATE 2: Gate Channel 10: Drums OUT 1: BD (note 36) trigger OUT 2: SD (note 38) trigger GATE 1: SD2 (note 40) trigger GATE 2: CHH (note 46) trigger CV BENCH works with the same firmware as the original CV PAL. Since it uses an unusual USB setting, you may experience message delays on systems running Windows. Please see the video below where I used CV BENCH to control my modular from Ableton on a Windows 10 computer and decide yourself if you feel any jitter or delays. Released under cc-by-sa-3.0 licence. You may refer to the original CV PAL manual for further information. Resources: https://github.com/pichenettes/cvpal https://mutable-instruments.net/archive/cvpal/manual/ Up

Explore rare treasures at our website – discontinued ST Modular Eurorack modules. GOOD BYE, MY DEAR FRIENDS! The modules below are no longer supported and will be removed from stores. While limited stocks might remain, restocking won't occur. Module details are available on modulargrid.net. modular grid discontinued krach aus strom triple tom knead gene chains Up

Effects stereo compressor / feedforward stereo compressor / 6 HP ⇣ STEREO COMPRESSOR is a classic analog feedforward compressor, which takes its sidechain split directly from the input signal. It is based on the THAT4305 Analog Engine® single-chip with integrated Blackmer® VCA. 1/3 key features Analog Compressor Stereo Signal Path THRESHOLD, RATIO and GAIN ON/OFF Switch for Signal Comparison Up to +20dB Make-Up Gain STEREO SUM Compatible Skiff friendly Wrong polarity protection specs & downloads width: 6 HP depth: 28 mm power: 35 mA @ +12V / 26 mA @ -12V documentation videos description / manual STEREO COMPRESSOR has two independent signal paths in order to process stereo signals. The left input is normalized to the right, if you want to compress mono signals instead. The module has three controls and a switch: THRESHOLD determins the level at which the compressor starts working. This can be set from -40dB to 20dB. RATIO sets how much the compressor turns down the volume when the threshold is reached (INF:1 to 1:1). GAIN regulates the amount of make-up gain (-20dB to +20dB) that is applied to the signal. Additionally there is an ON/OFF switch that makes it easy to compare the dry and compressed audio signal. Please note that if you turn THRESHOLD counter-clock wise to the left, you reduce the threshold from 20dB (fully cw) to -40dB (fully ccw). Hence the compressor starts working earlier. If you turn RATIO counter-clock wise to the left you increase the amount of compression from 1:1 (fully cw, no compression) to INF:1 (fully ccw, infinite compression). So turning the knobs down corresponds to compressing the signal. The pictures below show the knobs in a neutral position where no compression is applied. STEREO COMPRESSOR has a similar design as the STEREO SUM CHANNEL modules. If you want to add some compression to your mix STEREO COMPRESSOR is a perfect addition to your STEREO SUM Mixer. prev Up next

Mixer & VCA pae / cv pan & fade / 6 HP ⇣ PAE is a voltage controlled Pan or Fade module. 1/3 key features Voltage controlled Pan or Fade Attenuator for incoming Voltage LED Indicators Seperate single Outs for each Channel Wrong polarity protection specs & downloads width: 6 HP depth: 25 mm power: 40 mA @ +12V / 20 mA @ -12V documentation videos description / manual PAE has two inputs for two differnet mono or one stereo signal. Using the Volume potentiometer you can set the volume of each channel separately. Acccording to the potentiometer on top of the module only one or any mixture of both signals will be available at the Out jack. Simultaneously each channel can also be taken from the Out L and Out R output jacks. Additionally Pan or Fade can be controlled via voltage using theCV jack. The small potentiometer on top of the jack acts as an attenuator for incoming voltages. Two LEDs on top of the module show the current state of Pan or Fade. The module is capable of handling CV and audio. prev Up next

Mixer & VCA vca / simple vca with two attenuated cv inputs / 3 HP ⇣ "You can never have enough VCAs!" 1/3 key features Voltage Controlled Amplifier Volume Control 2x CV Input 2x CV Attenuator Wrong polarity protection Skiff friendly specs & downloads width: 3 HP depth: 25 mm power: 25 mA @ +12V / 10 mA @ -12V documentation videos description / manual VCA is a simple Voltage Controlled Amplifier with two CV Inputs. Both Inputs can be used at the same time to have Volume Control over the other CV signal. Each CV signal may be attenuated with a potentiometer. The Volume potentiometer will decrease or increase the volume of the audio signal being fed into the input Jack. An LED is indicating the current volume. prev Up next

Filter & EQ rocinante´s gate / simulated low-pass gate with lfo and envelope generator / 10 HP ⇣ Rocinante´s Gate is not a classical low-pass gate (LPG) using vactrols, but goes way beyond that providing an adjustable envelope to control the "gate" through an analog filter. Sending a gate or trigger signal into the GATE INPUT will create these envelope shaped sounds you know from other LPGs. 1/3 key features Low-Pass-Gate based on an Analog Filter Internal Envelope Generator Adjustable Rise, Decay, Length, Fall Stages Internal LFO Gate Level CV Loop Mode Re-Trigger Mode Use the Envelope and LFO with External Modules Skiff Friendly Wrong Polarity Protection specs & downloads width: 10 HP depth: 28 mm power: 54 mA @ +12V / 26 mA @ -12V documentation videos description / manual The LOWPASS knob adjusts the range of frequencies being affected by the gate. If you turn it fully counter clockwise the whole frequency spectrum will be gated. Turning it clockwise will slowly add low frequencies to the gated singal until the whole spectrum is not affected anymore. ENV AMT sets the amount of how much the internal envelope affects the low-pass gate. RISE sets the time how long it will take the sound to go from silent to the loudest level. Just like the time it takes an LED inside of a vactrol to start lighting to its full potential. DECAY controls how long it takes to go from an initial peak to the "gate-phase" level. The length of this phase is varied by the LENGTH potentiometer. Finally FALL changes the time your sound will need to return to silence after the "gate-phase". Just like the time it takes an LED inside of a vactrol to shut down. RESONANCE sets the amount of filtered audio being fed back into the filter input. It can´t go into self-oscillation, but is able to create very crunchy and juicy overtones when turning clockwise. The internal Trigger Generator is being controlled with TRIG RATE and the RE-TRIG/LOOP SWITCH. Adjust the rate of the trigger and apply the singal to either a re-trigger circuitry that repeats the "gate-phase" as long as a gate signal is being applied or to a loop functionality that will create cycles of gates without an external gate or trigger. The ENV/INV SWITCH enables you to alternatively route an inverted envelope to the low-pass filter. This way you may create "ducking" or "side-chained" sounds. An internal triangle LFO can be routed via the LVL ATT attenuator to vary the amount of envelope that is being passed to the gate. The LFO will be deactivated if you turn the LVL ATT attenuator fully counter-clockwise or if you use an external signal to control the envelope amount by patching a CV signal into LVL CV. In addition to the Audio IN and OUT jacks you may take the signals of the internal envelope and LFO from the ENV OUT and LFO OUT to control external devices. In combination with the loop function Rocinante´s Gate is not only a Low-Pass-Gate, but also an LFO and ADSR Generator. prev Up next